The Youth Cinema Foundation launched in Bruton on Thursday 4th September. The course was massively oversubscribed. Interest in the course has come from as far a field as Bath, Chippenham and Swindon, with students even traveling from Bristol. The effort students put into auditions was impressive and, as we embark on the sessions, these young actors are leaping into 150 years of performance study, learning techniques derived from Russian born Constantin Stanislavski via the Group Theatre, and New Yorker, Sandford Meisner. The course will run until Summer 2015 and in the final months the students will feature in films created to showcase their talent. These will be screened at Hauser and Wirth, Somerset. The rehearsal space is at Sexeys School Drama Studios in Bruton, Somerset. All tutors are DBS checked.
I had the pleasure of hanging out with Mathew Modine in LA in December 2013. I was filming for the Oscar Nominated Shorts 2014. Mathew spoke about many things from his own film work, working with Kubrick and also this wonderful clip about Stella Adler, the legendary acting teacher.
I went along last night to see this show, I highly recommend it.
Heres the trailer for Little Shop of Horrors at the Tobacco Factory. It looks great, Farrows Creative did the trailer.
Rebecca Jade Hammond delivers a monologue as part of our year long Meisner Training. The piece is by Jim Cartwright from "Little Voice"Rebecca's agent is below.
What’s the secret to working with great actors?
I’m going to tell you the story of how I prepared the actors of “The Godfather.” Of course, we were all nervous about Marlon Brando. As theatre students in the ‘50s, we looked at him as the greatest. And there was going to be the first time when all the actors were going to meet. Of course, Al Pacino, Jimmy Caan, Bobby Duvall, Johnny Cazale – everyone just admired Marlon. He was the Godfather. I knew that, and I said, “I can use this.” Napoleon once said, “Use the weapons at hand,” and this is what a film director has to do everyday. So what I did is I arranged for the first meeting as an improvisation.
I said, “I want you to come and be hungry.” And they came to a restaurant that I had arranged, the back room of the restaurant, just a table that looked like a home. Marlon, I had sit at the head of the table, and to his right I put Al Pacino, and to his left I put Jimmy Caan. I put Bobby Duvall, and I put Johnny Cazale, and I had my sister Talia, who played Connie, serve the food.
They had a dinner improvisation together, and after awhile everyone is relating to Marlon as the father, and Jimmy Caan is trying to impress him with jokes, and Al Pacino is trying to impress him by being intense and quiet, and my sister was so frightened – she was serving the food. And after that dinner they were the characters. So one tip I give you is, with improvisations, they really stick if there’s something sensual connected with them, like food or eating or making something with their hands.
Reproduced from: 99u.com
Jane spoke to us after a workshop with Act Bristol on Feb 2nd 2013.
She talks here about what she likes, what shes doesn't and gives a bit of information about what a casting director actually does.
This segment is really worth listening to, while its available on BBC Radio 4's "listen again". Various well known British actors talk about working in the USA, from doing the accent to the live to work attitude.http://www.bbc.co.uk/programmes/b01pgls8